Scholars

The lists are available in pdf format on this page

Until 8 January 2024

From 2 to 18 April

Genesis of a painting

The ways the Uffizi’s self-portraits of artists are perceived in the Museo Fiorentino and the definition of the term “resemblance” in the eighteenth century

The use of gilding in the classical statues of the Uffizi Gallery: the results of ten years of research.

Conservation, collections and museography

The tribute by the Academy of the Arts of Drawing, five hundred years after his birth

Notes on a Research Project on the Conditions of Artistic Production, Modes of Reception and Systems of Organisation in the Context of an Early Modern ‘Special Collection’

82 ancient drawings and 25 etchings

The most important news from the latest diagnostic surveys: the evidence of the painter's ambidexterity and the discovery of a second landscape on the back

Piero Aranguren (Prato 1911-Florence 1988) was the architect who brought back the “Museo Firenze com’era (Museum of Florence as it was)”, after a long period of oblivion and directed it for twenty years, from 1955 to 1975. The Uffizi Library has received the donation of his archive, precious documents concerning the transformation of the city during the 19th and 20th centuries. The archive contains a wealth of curious facts and information about bridges, roads, piazzas, theatres, transport, lighting and buildings of different types.