Insights

Genesis of a painting

An Italian-Polish seminar about the art of gardening in historical parks.

Conservation, collections and museography

The ways the Uffizi’s self-portraits of artists are perceived in the Museo Fiorentino and the definition of the term “resemblance” in the eighteent...

The use of gilding in the classical statues of the Uffizi Gallery: the results of ten years of research.

The tribute by the Academy of the Arts of Drawing, five hundred years after his birth

The tradition of terracotta from Impruneta used to make new pots for the Medici citrus plants

Notes on a Research Project on the Conditions of Artistic Production, Modes of Reception and Systems of Organisation in the Context of an Early Mod...

Mediality and Temporality in the ‘poietic’ Self-Portrait by Alessandro Allori (1555)

The joint project staged by the Boboli Gardens and the Wilanów Museum begins

The painting stolen by a German soldier during the Second World War has finally been recovered and returned to Italy on 19 July 2019

The rooms of the Andito degli Angiolini in Pitti Palace confirm their vocation as a space for contemporary works at the Uffizi Galleries by hosting...

Baroque painter and printmaker Elisabetta Sirani (1638-1665) was one of Bologna's most innovative and influential artists, especially on the wome...