Insights

Notes on a Research Project on the Conditions of Artistic Production, Modes of Reception and Systems of Organisation in the Context of an Early Mod...

The joint project staged by the Boboli Gardens and the Wilanów Museum begins

The painting stolen by a German soldier during the Second World War has finally been recovered and returned to Italy on 19 July 2019

The rooms of the Andito degli Angiolini in Pitti Palace confirm their vocation as a space for contemporary works at the Uffizi Galleries by hosting...

Baroque painter and printmaker Elisabetta Sirani (1638-1665) was one of Bologna's most innovative and influential artists, especially on the wome...

Piero Aranguren (Prato 1911-Florence 1988) was the architect who brought back the “Museo Firenze com’era (Museum of Florence as it was)”, after a l...

The idea of digitising the restoration documents for the ancient sculptures in the Uffizi, using SICaR goes back to 2014. SICaR is an open-source s...

The article reconstructs the significance and structure of the theory behind the Medici-Lorraine busts which have been on display in the antiricett...

What is widely known in the Western world as Arabesque refers of an artistic representation of the interminable order and unison of nature that lea...

The publication of the reproductions of I Disegni della R. Galleria (The Drawings of the Royal Gallery) was launched in 1912 by Giovanni Poggi, the...

Archival research and meticulous stylistic studies have led to the complete reinterpretation of a painting of the Uffizi Galleries. Previously beli...

The Niches Room of Pitti Palace hosts an exhibition dedicated to Anton Raphael Mengs and his relationships with Florence. Painted by Mengs in Flore...