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18th century

Artworks

Stoup decorated with the Annunciation

Giovanni Battista Foggini

Prie-dieu of the Electress Palatine

Giovanni Battista Foggini (Firenze 1652-1725) e Galleria dei Lavori

Portrait of Vittorio Alfieri

François-Xavier Fabre (Montpellier 1776 – Paris 1837)

Portrait of Princess Louise of Stolberg, Countess of Albany

François-Xavier Fabre (Montpellier 1776 – Paris 1837)

Men's formal suite

Italian manufacture

Kaffeehaus

Zanobi del Rosso (Architecture); Giuseppe del Moro, Giuliano Traballesi and Pasquale Micheli (interior decoration)

Portrait of Maria Theresa of Habsburg, Francis I, Holy Roman Emperor, and their thirteen children

Martin van Meytens (Stockholm 1695 – Vienna 1770)

Ruins of the Antonine Baths, in ‘Views of Rome’

Giovanni Battista Piranesi (Venice 1720 – Rome 1778)

View of the Piazza and the Archbasilica of St. John Lateran in ‘Views of Rome’

Giovanni Battista Piranesi (Venice 1720 – Rome 1778)

Self Portrait

Giuseppe Maria Crespi (Bologna 1665 - 1747)

View of the so-called Temple of Concord, in ‘Views of Rome’

Giovanni Battista Piranesi (Venice 1720 – Rome 1778)

White Hall (or Stucco Hall)

Grato Albertolli (Bedano, 1740 c. – Milano, 1812) e Giocondo Albertolli (Bedano, 1742 – Milano, 1839)

Ruins of the Antonine Baths, in ‘Views of Rome’

Giovanni Battista Piranesi (Venice 1720 – Rome 1778)

View of the Piazza di Spagna, in ‘Views of Rome’

Giovanni Battista Piranesi (Venice 1720 – Rome 1778)

View of the Famous Vatican Basilica with its Spacious Portico and Adjacent Piazza, in ‘Views of Rome’

Giovanni Battista Piranesi (Venice 1720 – Rome 1778)

The Market or The Fair of Poggio a Caiano

Giuseppe Maria Crespi (Bologna 1665 - 1747)
News

“[…] Reducing to greater perfection and resemblance?”

The ways the Uffizi’s self-portraits of artists are perceived in the Museo Fiorentino and the definition of the term “resemblance” in the eighteenth century

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