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A more rational system of admission to the Uffizi Galleries
25/09/2017, by Matteo Papadopoulos / Cantiere Creativo
The Uffizi Galleries: a new, user-friendly website
By placing humans at the center, mirroring the founding principle of historic humanism, the development and design of the website focused on the user as the central element of the browsing experience. We wanted to develop a tool that would prove useful to anyone wishing to discover the treasures of the Uffizi Galleries, avoiding the temptation of creating a website that merely served as a self-aggrandizing showcase.
26/09/2017, by Elio Carmi and Alessandro Ubertis
Branding for the Uffizi Galleries
A white sheet of paper. It always begins this way, by asking yourself how and when, but there’s a question that’s more important, more pressing, more oppressive. It’s a fundamental one: you ask yourself ‘why’? It doesn’t matter whether it's an unusual job, a service, if it’s for a friend, or of extraordinary importance. It’s always about a new project: you have to bring something into being out of nothing. And you wonder ‘why’. Why produce a new identity for the Uffizi Galleries? Why?
19/06/2018, by Natalia Martinez Alcalde and Accessibility and Inclusion Department
Florence and the Middle East. A Cultural Arabesque
What is widely known in the Western world as Arabesque refers of an artistic representation of the interminable order and unison of nature that leads to infinity. Epigraphic, geometric and floral figures are meticulously brought together to form a pattern that repeats itself seemingly endlessly. If we dare to look close enough, the notion of an unbreakable continuity will appear almost naturally in the designs of many of the art pieces elaborated in the islamic art