An extraordinary collection of engraved lapis lazuli vases with astonishing shapes inspired by the artists of Florentine Mannerism.

The rare and precious blue stone, which seemed to contain golden veins and evoked the sparkling sea and the starry night sky, came from the far East. It was extracted from the quarries of Sar-e-Sang, in the mountains of Badakhshan (now Afghanistan), the only known deposit in the ancient world, and was a symbol of wealth, along with gold, silver and other precious metals.

The idea of dedicating an exhibition to this stone, full of magical meanings, was offered to us by Gian Carlo Parodi, a mineralogist at the Mùseum National d'Histoire Naturelle in Paris. Therefore, the exhibition is aimed not only at an in-depth study of exquisite artistic artefacts but also - and not to a lesser extent - at the more purely mineralogical aspect of such precious stone. These topics complement each other, allowing for unique and unusual approaches to art history. The Natural History Museum of the University of Florence, directed by Giovanni Pratesi, played a leading role in developing the project and a section of the exhibition dedicated to the stone and its scientific research aspects, which was set up in the Specola Museum.

In the Silver Museum, the exhibition is divided into four sections.


From Nature to Artifice, the first section presents a selection of lapis lazuli samples of various formations and provenance sourced from the most prestigious museums in Europe. These are compared with the greatest achievements in the use of lapis lazuli in vases and cups, flasks and vessels, initially intended for the princely courts of the Renaissance.


The second section, Semi-Precious Inlay Stone and Painted Stone, recounts the evolution of the use of lapis lazuli in the early 17th century in two spheres, that of inlay and that of painting on lapis lazuli, animated by the same desire to immortalise and capture nature in the immutable colours of the stone, through inlays with simple geometric motifs and more complicated designs.


The third section, The Blue Stone in Princely Splendour, shows how, when lapis lazuli became increasingly rare, the stone was almost exclusively destined for profane objects and sacred ornaments of great artistic value and very high patronage.


The fourth section, From Ultramarine Blue to Klein Blue, is dedicated to the pigment and use of lapis lazuli in art. The deep blue of lapis lazuli was sought after for its very high cost and the underlying meanings of the colour 'blue', expressed in the hue of the mantle of the Madonnas and the starry skies of 14th and 15th-century frescoes.

We could not close the exhibition without mentioning the experiments to find materials that could replace the precious stone and create a pigment that could match the intensity of ultramarine blue. Therefore, it seemed appropriate to conclude the exhibition with a work by Yves Klein - who dedicated the artistic research of his entire, albeit brief, life to the colour blue - and with a small section of 20th century and contemporary jewellery.


The exhibition, like the catalogue published by Sillabe, is curated by Maria Sframeli, Valentina Conticelli, Riccardo Gennaioli and Giancarlo Parodi and is promoted by the Ministry of Cultural Heritage and Activities and Tourism with the Regional Secretariat of the Ministry of Cultural Heritage and Activities and Tourism of Tuscany, the former Special Superintendence for the Historical, Artistic and Ethno-anthropological Heritage and for the Polo Museale of the City of Florence, the Silver Museum of the Pitti Palace, the Museum of Natural History of the University of Florence La Specola, the Muséum National d'Histoire Naturelle of Paris and Firenze Musei.

Figura di colomba periodo medio elamita, XII secolo a.C. lapislazzuli e decorazioni in oro Parigi, Musée du Louvre, Département des Antiquités orientalesLa dea Maat III periodo intermedio, 1069-664 a.C. circa lapislazzuli Parigi, Musée du Louvre, Départment des Antiquités égyptiennesArte greco-romana Probaskanion (amuleto)  I sec. a.C. lapislazzuli intagliato e inciso Firenze, Museo Archeologico NazionaleGasparo Miseroni (Milano, 1518 circa-1573) Tazza a forma di conchiglia sesto decennio del XVI secolo lapislazzuli Firenze, Palazzo Pitti, Museo degli ArgentiGasparo Miseroni (Milano, 1518 circa-1573) Coppa 1560-1570 inizio del XIX secolo (?) (integrazioni della montatura) lapislazzuli, oro smaltato, legno dipinto Stoccarda, LandesmuseumBotteghe granducali Giovan Battista Cervi (Firenze, 1532-1586) Coppa a forma di conchiglia ante 15 maggio 1576 lapislazzuli, oro fuso, cesellato e smaltato; Firenze, Palazzo Pitti, Museo degli ArgentiBotteghe granducali (Caroni ?) Jaques Bylivelt (Delft, 1550 – Firenze, 1603) su disegno di Bernardo Buontalenti (Firenze, 1523-1608) Fiasca 1583-1584 lapislazzuli, oro fuso, cesellato e smaltato, rame dorato Firenze, Palazzo Pitti, Museo degli ArgentiBotteghe granducali (Caroni ?) Coppa a catino ante 1589 lapislazzuli Firenze, Palazzo Pitti, Museo degli ArgentiBotteghe granducali o manifattura milanese  Pierre Delabarre (attivo a Parigi dal 1625 al 1643) Coppa con delfini, draghi e bambino seconda metà del Cinquecento (coppa); 1625-1645 (montatura) lapislazzuli, oro smaltato Madrid, Museo Nacional del PradoBotteghe granducali Cristofano Gaffuri (attivo a Firenze dal 1575-1626) su modello di Jacopo Ligozzi (Verona, 1547 – Firenze, 1627) Tavolo con Veduta del porto di Livorno 1601-1604 commesso di pietre dure Firenze, Galleria degli Uffizi


Lapis lazuli. The magic of Blue

Silver Museum, Pitti Palace, Florence

9 June - 11 October 2015

The exhibition is curated by Maria Sframeli, Valentina Conticelli, Riccardo Gennaioli, Gian Carlo Parodi

Exhibition catalogue published by Sillabe (available only in Italian)

Ministero dei beni e delle attività culturali e del turismo, Segretariato Regionale del Ministero dei beni e delle attività culturali e del turismo della Toscana, Ex Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della città di Firenze, Museo degli Argenti di Palazzo Pitti, Museo di storia Naturale dell'Università di Firenze, Muséum national d’Histoire naturelle di Parigi, Firenze Musei