Uffizi by night on Tuesdays

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A journey dedicated to art and culture, from ancient times to the eve of 1861, through the pre-unification "cultural capitals"

The Medici’s collections of paintings on display with a vast array of sumptuous frames, furnishings, stuccoes, silks and Baroque frescoes

Between public and private court life: a Palace for three dynasties

Pitti Palace

Palatine Gallery

The Palatine Gallery and Royal and Imperial Apartments occupy the entire first floor of Pitti Palace, which was the residence of the Medici dynasty, then of Habsburg-Lorraine one and lastly of the House of Savoy, hosting the King of Italy from 1865&nbsp;to 1919. The lavish Gallery was founded between the end of the 18th century and the first decades of the 19th century by the Habsburg-Lorraine family, who hung about 500 masterpieces in the ceremonial rooms chosen from the main Medici&rsquo;s collections. It is an impressive selection, which includes the largest concentration of paintings by Raphael in the world of, as well as invaluable works by Titian, Tintoretto, Caravaggio and Rubens. The paintings in their lavish frames entirely cover the walls of the rooms which are enriched by sculptures, vases and tables with semi-precious stone inlays, typical of 17th-century galleries.&nbsp;The sensational series of frescoes by Pietro da Cortona for Grand Duke of Tuscany Ferdinando II de&rsquo; Medici, realized between 1640 and 1647 in the &ldquo;Planet Rooms&rdquo;, adds to the unique charm of the Gallery, where every work of art is enhanced by the setting and the furnishings

A rich collection of decorative arts in the Medici’s sumptuous Summer Apartments

Treasury of the Grand Dukes

Formerly known as the Silver Museum, the Treasury of the Grand Dukes&nbsp;is located on the ground and mezzanine floors of Pitti Palace, and comprises the rooms that were once the summer apartments of the Medici family. Its walls, entirely frescoed on the occasion of the wedding&nbsp;between&nbsp;Grand Duke of Tuscany Ferdinando II de&rsquo;Medici and Vittoria della Rovere (1637), are one of the first examples of quadrature and trompe-l&rsquo;oeil perspective in Florence. It houses the precious &ldquo;Medici&rsquo;s Treasure&rdquo;: semi-precious stone vases, rock crystals, ambers and ivories. The silverware comes from the &ldquo;Treasure of Salzburg&rdquo; - the collections of the Bishops of Salzburg - and was brought to Florence by Grand Duke of Tuscany Ferdinand&nbsp;III of Habsburg-Lorraine. The Museum also houses an important collection of jewellery realized&nbsp;between the 17th and 20th centuries and has a large section dedicated to contemporary jewellery.

Paintings and sculptures from Neoclassicism to the 1930s: the greatest exponents of Italian art in the sumptuous residence of the Grand Dukes of Habsburg-Lorraine

Gallery of Modern Art

The Gallery of Modern Art is located in the rooms once inhabited by the Habsburg-Lorraine family on the second floor of Pitti Palace, from which there is a magnificent view over Florence and the Boboli Gardens. Its collections of paintings and sculptures, ranging from the end of the 18th century until the first decades of the 20th century, are still being added to through donations and purchases. Once inhabited by the Grand Dukes of Habsburg-Lorraine, these sumptuous rooms host Neoclassical and Romantic artworks and numerous important paintings by the Macchiaioli school, mainly from Diego Martelli&rsquo;s collection. There is indeed a considerable number of historical paintings in the Gallery, including the well-known landscapes of the Maremma area by Giovanni Fattori, leading artist of the Macchiaioli movement. The 19th-century itinerary concludes with works of Symbolist&nbsp;and Divionist movements. Among the various painters on display: F. Hayez, S. Lega, T. Signorini, G. Fattori, C. Pissarro, M. Rosso, G. Boldini, P. Nomellini.

The history of fashion, haute couture, the evolution of taste and costume through the centuries

The Museum of Costume and Fashion (formerly known as the Costume Gallery) is located in the Palazzina della Meridiana next to the southern wing of Pitti Palace. Started under Grand Duke of Tuscany Peter Leopold by architect Gaspero Maria Paoletti in 1776 and completed in 1830 by Pasquale Poccianti under Grand Duke Leopold II, the building takes its name from the astronomical instrument made by Vincenzo Viviani in 1699. The instrument is in the vestibule &ndash; with the gnomon pinhole &ndash; of Grand Prince Ferdinando de&rsquo; Medici&rsquo;s apartment. Anton Domenico Gabbiani depicted the Allegory of Time and the Arts (1693) in the vault of the vestibule. All the successive dynasties, from the Habsburg-Lorraine family to the House of Savoy, including the regency of Maria Luisa of Parma and the brief reign of Elisa Baciocchi, left their mark on furnishings and decorative wall paintings. Founded in 1983, it was the first State museum in Italy dedicated to the history of fashion and its social significance. Displayed in rotation for conservation reasons, its collections include clothes, jewellery and accessories from the 18th century to today, along with a captivating group of stage costumes worn by movie, theatre and opera stars in works helmed by reknowned 20th-century directors. Among ancient garments, the 16th-century funeral clothes of Cosimo I de&rsquo; Medici, Eleanor of Toledo and their son Garzia de&rsquo; Medici have been completely restored and are part of the permanent collection on display.

Museum of Costume and Fashion

La Bella Italia Art and identity of the capital cities

Roman busts; testimonies of ancient art and culture 



Unveiled Faces. Antique and passion for antiquity. The 11th edition of the “I mai visti” exhibition series. Masterpieces from the Uffizi storage

An encounter with great Western art: an everlasting wonder

The Uffizi

A dialogue between ancient and modern. Illustrious figures protagonists of the Risorgimento era 

L’Italia chiamò

The Majesty from Russia enters into an exciting comparison and dialogue with the three Madonnas by Cimabue, Duccio, Giotto

The dawn of Florentine painting The Maestà from the Pushkin Museum of Moscow

The transformation of the Uffizi complex into a triumphant architectural statement of centralised political power.

Vasari, the Uffizi and the Duke

A treasure trove of splendour telling the story of Tsars across the centuries

The Treasure of the Kremlin

A workshop that has become to mean more to the world of art than simply a showcase for objects made from stone