Uffizi by night on Tuesdays

Tickets

Admission to the Royal Apartments | Rules

Pitti Palace

The Royal Apartments occupy the South wing of Pitti Palace on the first floor. At the beginning of the 18th century the private apartments were occupied by Grand Prince of Tuscany Ferdinando de’ Medici; then, between the end of the 18th century and the first half of the 19th century, they were renovated and altered by the Grand Dukes of Habsburg-Lorraine. From 1865 the sovereigns of the Royal House of Savoy (hence the name) lived there during the short period in which Florence was the capital of Italy, leaving the distinctive stamp of their taste on the general appearance of the Royal Apartments, which is still visible today. Sumptuously furnished with pieces from the collections of the Medici, Habsburg-Lorraine and House of Savoy, the 14 rooms bear traces of the changing dynasties. The tables with semi-precious stone inlays, consoles and mirrors, furnishings and silk tapestries on the walls are in a striking mixture of styles, reflecting the daily life and taste of the different periods and inhabitants.

Royal Apartments

The Palatine Gallery and Royal and Imperial Apartments occupy the entire first floor of Pitti Palace, which was the residence of the Medici dynasty, then of Habsburg-Lorraine one and lastly of the House of Savoy, hosting the King of Italy from 1865&nbsp;to 1919. The lavish Gallery was founded between the end of the 18th century and the first decades of the 19th century by the Habsburg-Lorraine family, who hung about 500 masterpieces in the ceremonial rooms chosen from the main Medici&rsquo;s collections. It is an impressive selection, which includes the largest concentration of paintings by Raphael in the world of, as well as invaluable works by Titian, Tintoretto, Caravaggio and Rubens. The paintings in their lavish frames entirely cover the walls of the rooms which are enriched by sculptures, vases and tables with semi-precious stone inlays, typical of 17th-century galleries.&nbsp;The sensational series of frescoes by Pietro da Cortona for Grand Duke of Tuscany Ferdinando II de&rsquo; Medici, realized between 1640 and 1647 in the &ldquo;Planet Rooms&rdquo;, adds to the unique charm of the Gallery, where every work of art is enhanced by the setting and the furnishings

Palatine Gallery

Between public and private court life: a Palace for three dynasties

Guides and Groups

Lifelong learning

Tours to the Royal Apartments of the Pitti Palace

The rooms on the 2nd floor of the Pitti Palace open to the public

Special visits to the Apartments of the Duchess of Aosta at Pitti Palace

Useful tools to plan the visit and carry out activities in the gallery

An encounter with great Western art: an everlasting wonder

The Uffizi

Social narrative and Uffizi Activity Bag

Accessibility

Autism

The third volume of the series of tactile books of the Uffizi Galleries is dedicated to the architecture and the history of the palace

Architecture

Vision Impairment and Blindness

Uffizi. Architecture and History | Tactile book

The first volume of the series of tactile books of the Uffizi Galleries is dedicated to the famous masterpiece of the Florentine Renaissance

Painting

Sandro Botticelli, Primavera | Tactile Book

The second volume of the series of tactile books of the Uffizi Galleries is dedicated to Raphael's portrait, displayed in Pitti Palace

Raphael, Woman with a Veil | Tactile Book

Vietato non toccare!

Forbidden not to touch!

A series of International Sign Language videos to discover the Uffizi's masterpieces from home or at the museum with your mobile device

Uffizi: capolavori tradotti nella Lingua dei Segni

Deafness and Hearing Loss

Uffizi for Everyone. Masterpieces in International Sign Language

A discovery tour of the fantastic creatures hidden in many masterpieces of the Uffizi! 

Monsters in Art!

Families

Primary School

Secondary School (11-14 yo)

This “flower tour” is conceived for children accompanied by adults for a first autonomous approach to the wonders of the Uffizi.
A general information sheet will help you to discover paintings easily.

Flowers at the Uffizi

Factories of Stories

Crossculture

At the Uffizi, a route for the visually impaired offers the opportunity to autonomously touch some original sculptures from the Medici collection.

Sculpture

Uffizi by touch

Visitors may touch ten famous artworks realized in different materials (bronze, marble, wood, semi-precious stones, plaster, baked clay, majolica), works which represent some crucial passages and changes in the art of sculpture  from the 19th century to the first decade of the 20th century

The Gallery of Modern Art is located in the rooms once inhabited by the Habsburg-Lorraine family on the second floor of Pitti Palace, from which there is a magnificent view over Florence and the Boboli Gardens. Its collections of paintings and sculptures, ranging from the end of the 18th century until the first decades of the 20th century, are still being added to through donations and purchases. Once inhabited by the Grand Dukes of Habsburg-Lorraine, these sumptuous rooms host Neoclassical and Romantic artworks and numerous important paintings by the Macchiaioli school, mainly from Diego Martelli&rsquo;s collection. There is indeed a considerable number of historical paintings in the Gallery, including the well-known landscapes of the Maremma area by Giovanni Fattori, leading artist of the Macchiaioli movement. The 19th-century itinerary concludes with works of Symbolist&nbsp;and Divionist movements. Among the various painters on display: F. Hayez, S. Lega, T. Signorini, G. Fattori, C. Pissarro, M. Rosso, G. Boldini, P. Nomellini.

Gallery of Modern Art

The tactile tour of the Modern Art Gallery

Works of art become an opportunity to tell, to interpret, to talk to each other.

Our Hypervisions focused on Cultural Mediation Projects

Cross-cultural virtual tours: when art meets all peoples

An itinerary for children and families through five masterpieces on display in the gallery

Special visits | San Casciano Val di Pesa | Terre degli Uffizi